![]() The story of Victorian art critic John Ruskin’s appalled reaction to the sight of his wife’s naked body (he knew of the female form only. Meanwhile Julie Walters is typically imposing as Ruskin’s poisonous mother, against whom Dakota Fanning’s downtrodden daughter-in-law struggles to hold her own. Effie Gray review a handsome but inert portrait. Ruskin had known and cherished Effie since she was twelve years old, but upon their union-ship his attitude changed incredibly fast. ![]() 681 IMDb 6.0 1 h PG-13 Drama Romance Emotional Passionate Available to rent or buy Rent HD 3.99 Buy HD 14. The film opens on Effie (Dakota Fanning), a young woman who has recently come of age, on her wedding day to John Ruskin (Greg Wise), a renowned art critic and author on the Victorian era of English art. Effie Gray speaks to the heart and pays soft homage to the woman whose life we see unfold. Instead, we have a handsome but rather inert portrait of a suffocating social milieu in which it is left to Thompson herself to inject vibrant relief as the independently minded Lady Eastlake. Effie Gray explores the famous real-life Victorian love-triangle between art critic John Ruskin, his young bride Effie Gray, and famed artist John Everett Millais. A beautifully crafted film filled with a haunting stillness and melancholy touched with moments of humor. The story follows a young woman who, after marrying. This Emma Thompson-scripted account of Effie Gray’s ill-fated marriage (the release of which has been delayed by groundless plagiarism suits) intelligently dramatises the prison-like nature of Effie’s status while struggling to engage us in what is essentially a non-relationship it may be billed as a “love triangle”, but there’s precious little love on display, even in our heroine’s growing affection for pre-Raphaelite painter John Everett Millais. Dakota Fanning stars as Effie Gray in this dramatic period film about a wifes struggle to build a marriage. The story of Victorian art critic John Ruskin’s appalled reaction to the sight of his wife’s naked body (he knew of the female form only through hairless paintings and sculptures) has become emblematic of a wider cultural objectification of women which remains strikingly contemporary. Dakota Fanning as Effie Gray David LevinthalAdopt Films By Sarah Begley Ap9:30 AM EDT W hen Euphemia Gray married John Ruskin in 1848, she likely saw him as a wonderful match.
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